A Journal of the Plague Year 2020–chapter 75

A kitchen visitor.

Saturday, May 23

Three of the world’s smallest mice showed up in the middle of the kitchen floor this morning. 

They’re so tiny they must be newborns, which I suspect means that more will arrive. They moved very slowly at first, then as I attempted to sweep each one into a dustpan, they became more energetic. I was able to get each one outside onto the brick patio, where they scampered around attacking small weeds that towered above them like redwoods.

Where do these guys come from? Are they inside this old house’s walls? Up from the basement through the heating vents? Why wouldn’t they want to be outside where there is more stuff to eat?

Back to the issue of our food. Emily says that meal prep here is like one of those television cooking shows where would-be chefs are presented with a bunch of incongruous ingredients and told to use them all in making a meal. Maybe calf brains, rainbow chard, a grapefruit, and Israeli couscous. And, unlike here, the cooks always come up with surprising and delectable results.

Here it’s easy to get into a rut and just repeat the same dishes over and over. The challenge: What will go with leftover southern corn pudding and a salad? Then I realized I could combine some of our many chicken breasts with canned artichokes and cooking wine to make a chicken and artichoke stew.

Emily and Peapod also surprised me by delivering a bunch of snow peas and two packs of mushrooms. So tomorrow I’ll probably combine some of each in a stir-fry that also involves walnuts and scallions with either hoisin sauce and sriracha or a sauce composed of soy sauce, sugar, and rice wine vinegar.

It’s almost time for Wait, Wait, Don’t Tell Me. Some time back we were discussing this very funny NPR panel show with friends, and one of them complained that he wasn’t allowed to talk while the show was on. You might miss something.

Out to the recycling center. It’s raining, but there are nevertheless lots of cars on the road. Due to Memorial Day weekend, maybe? Or is it simply a further result of people fleeing from the city due to the pandemic/lockdown?

That BBC audiobook that we listened to last night, Trespass, has led me to investigate the author, Rose Tremain, a bit further. Turns out she was nominated for a Booker Prize back in the ‘80s. She lost out to Ishiguro’s The Remains of the Day. I’m going to see if I can download one of her novels in e-book form via the East Hampton library.

As I have said, tonight’s dinner: chicken with artichokes, corn pudding, and salad.

Entertainment: Two episodes of British thriller Retribution.

A Journal of the Plague Year 2020–chapter 74

Almost summer.

Friday, May 22

A very seasonable day, with a temperature of 71 degrees. A 60% chance of rain overnight, 70% tomorrow with temps predicted to be only in the high 50s.

Everything is green, with the grass and weeds on our lawn getting quite high despite the fact that the lawn was cut once, a few days back. I guess the lawn guys qualify as an essential service.

At some point soon, we will declare summer underway by having grilled hotdogs with sauerkraut. But that will have to wait: A few days back, when I told Emily to put sauerkraut on her Peapod list, she “thought” I said sour cream. “Already on the list,” she brusquely announced. Maybe we could just have sour cream for every meal.

We’ve already scheduled the next Peapod delivery. Previously, it was very hard to get a time slot with them, and we’ve had to stay awake until 1 a.m. to make an online arrangement. But yesterday, for some reason, we were able to do so mid-evening: Our next slot is set for the afternoon of June 3.

Who thought we’d still be out here in June?

Such a Godly man, Trump has demanded that churches and synagogues open “right now.” California pastors are ready: Some 1,200 say they will resume services in defiance of the state’s stay-at-home order. One church is suing the governor, declaring “essentiality.” Its lawyer says he expects some 3,000 churches to reopen on May 31.

We don’t feel a spiritual void, but we’re slightly missing some material things that are back in NYC. Emily is making a list of stuff that we’d pick up—should we go in to the city, then turn around and come back here. We each would bring more clothes—jeans, sweaters, shorts, her woolen robe, additional shoes. Then there are some electronics: the computer printer, a photo scanner (and old photos). From the kitchen, our relatively new nonstick skillet, an immersion blender, spices, and some hard-to-get grains like wheat berries and quinoa.

Dinner tonight: Roasted brussel sprouts, southern corn pudding, green salad, corn muffins.

Entertainment: several episodes of the BBC audiobook Trespass by Rose Tremain.

A Journal of the Plague Year 2020–chapter 73

A Peapod delivery truck.

Thursday, May 21

Today marks eleven weeks that we have been in the COVID-19 lockdown.

I spent a miserable morning trying to pay my East Hampton real estate taxes—being defeated by a bewildering online system, stupified by a non-functioning pay-by-phone thing, and finally surrendering and just mailing in checks to an office that almost certainly isn’t open. 

The East Hampton Star says that the Suffolk County executive has announced that those who are having difficulty paying may delay their tax payments. Once the governor’s office issues an executive order approving a delay, “the deadline to file taxes for those approved will be July 15,” the newspaper says. Huh? Once approved but only for those approved? 

“The plan provides for individuals who have lost 25 percent or more of their income or are awaiting unemployment benefits, and businesses with a net profit of $1 million or less that have experienced a 50 percent or greater loss of income or are waiting for P.P.P. payments would be able to apply for the relief with a form attesting to their need.” A form? Taxes are due in ten days, so that’s an awful lot of stuff that has to happen first. 

Fuggedaboudit.

Peapod sends Emily a message saying that their food-delivery truck will be coming between 4:59 p.m. and 6:59 p.m. She thinks the message suggests that the drivers are closely monitored. I think it resembles the 99¢ rule.

We’ve been watching a bit of the Netflix nature documentary Our Planet narrated by David Attenborough. Not to overdramatize, but our lives are a little bit like those of the wild animals in the documentary: They spend all their time hunting for or chasing after food—and we spend a lot of our time and effort doing the same. Meanwhile, the food-seekers are themselves being pursued by predators—and so are we! What is scarier, a jaguar or the coronavirus? At least the wildebeest can see the big cats or wild dogs that descend on them. We cannot see COVID-19.

The Peapod truck arrives almost an hour early, at 3:55. It is a fairly good haul, but there were 15 out-of-stock items, including toilet paper (of course), Kalamata olives, yeast (of course), lettuce, bok choy, carrots, avocados, apricot preserves, and Haagen Dazs vanilla bean ice cream. Lots of ramen, though, peanut butter, and Lipton chicken noodle soup.

Tonight’s dinner: Potato soup made with our newly arrived spuds, green salad, and corn muffins.

Entertainment: Two episodes of British thriller Retribution.

A Journal of the Plague Year 2020–chapter 69

Anyone for bluefish–or brownies?

Sunday, May 17

Having read my blog entry about the Home, Sweet Home Cook Book, a friend has emailed me information about a Hamptons artists’ cookbook, Palette to Palate. It was published by Guild Hall Museum in 1978, contained recipes from 130 local artists, and featured illustrations and autographs from Andy Warhol, the de Koonings, and Lee Krasner. The recipes tend to be a little more sophisticated than those in Home, Sweet Home: Krasner’s contribution, for example, was a “hominy puff with cheese, herbs, or crabmeat.” Art-book dealer Argosy lists a first edition of the book as available for $4,000.

Back to grimmer stuff.

Emily has e-mailed me a Twitter timeline of New York City pandemic developments starting in March. It seems that for once in our lives at least, we’ve been ahead of events.

We came out to East Hampton on March 5—the first New York City case of COVID-19 had been reported on March 1. On March 7, two days after we came out, the governor declared a state of emergency in New York State, and five days later he banned any gatherings of more than 500 people. 

That same day, March 12, Mayor de Blasio declared a state of emergency in New York City, and the next day, it was announced that New York State had the most cases of the disease in the U.S., as new cases jumped 30% overnight. (And these, as I always have to remind myself, were just the reported cases. Many people had it but were asymptomatic.)

On March 20, Cuomo ordered nonessential businesses to keep 100% of their workforces at home. By the end of the month, New York State had become the coronavirus epicenter of the world, as its number of COVID-19 cases exceeded those in China’s Hubei province where the outbreak began.

Only on April 15 did Cuomo order everyone to wear face masks. Today, epidemiologists make a convincing case that THIS and social distancing are the most important things of all. 

One problem of course was the shortage of masks. Officials were saying to leave the available masks for the professionals who really need them; don’t try to hoard masks; wear a bandana around your face, make your own mask, etc. Vendors began offering lots of homemade masks online, and Emily ordered several for us on April 16.

On May 1, Cuomo announced that public schools in the state would remain closed for the rest of the school year.

By mid-May, 1.8 million state residents had filed unemployment claims—six times the number filing claims during the 2008 financial crisis.

And that brings us to where we are. 

The timeline is a bit puzzling to me: Events seem to move both quickly and slowly at the same time. 

The first case appeared in China in December of last year. In the U.S., the first confirmed case came in Washington State in late January of this year. There was a surge of cases in Italy in February.

Still, no one in this country paid much attention until March, when events really intensified. Then—I know, I’m repeating myself—it took until mid-April for New York to make the wearing of masks mandatory. 

There must be lessons here, and I’m sure the experts will offer us lots of them in time.

Dinner: lots of leftovers that don’t necessarily go together—mozzarella and tomato salad with balsamic dresssing, corn muffins, roasted brussel sprouts, baked potatoes with sour cream, and guacamole.

Entertainment: episodes of the Netflix nature documentary Our Planet narrated by David Attenborough and more episodes of Occupied.

A Journal of the Plague Year 2020–chapter 66

Buddy Guy needs to read this blog post.

Thursday, May 14

The demise of clothing retailer J. Crew threatens to leave us with a cultural void: color-branding.

J. Crew, particularly in its catalog, was in the vanguard of color-branding. They were never satisfied to have a pair of shorts or a shirt in Olive or Khaki. No, instead the item would be listed as available in Basil or Sand—maybe even Mojave. (These are just fictitious examples I’ve come up with, mind you.)

So, the question arises: What would be some new color names appropriate to our fraught moment? Yesterday, I came up with one: First Responder Orange. Today, I’m thinking of others: Gilets Jaunes Yellow, for the French vest-wearing, economic-justice protest movement. And Pandemic Green, for that color that you might see in photos of microscopic slides. 

Trying to come up with an appropriate name for a blue hue, Emily hits upon another notion: Shouldn’t we have some blues songs associated with our quarantine experience? Forget “Hesitation Blues” or “Crossroads Blues.” How about “Peapod Perplexity Blues”?

Got my pencil and paper, babe,

I’m gonna jot me down a list.

Yeah, I got a pencil and paper,

I’m needin’ you to assist.

Artichokes and sun-dried tomatoes,

without such stuff, we just can’t exist.

[next verse]

Maybe green peas and Jarlsberg,

eggs and walnuts we really need.

Garlic, yeast, and lemons,

cabbage, cukes, and cheddar cheese.

But that Peapod manager

he’s always giving us more green beans.

(and we’ve got three packs already!)

[bridge]

Haagen-Dazs and Keebler Sandies,

wheat flour and bread crumbs too.

Chicken broth and shiitakes,

and some of that Tahini goo.

[final verse]

Yes, I got my pencil and paper, baby

I’m ready to make us a list…

Hmmm, maybe Buddy Guy could use this.

Other ditties could include”Dr. Fauci’s Lament” or maybe “Damark Disappointment Blues,” named for the small store that I go to when Peapod fails. Damark also has been known to fall short, notably when it comes to ramen. But they do just fine when it comes to fresh vegetables, walnuts, and napkins.

Ramen? They say no man,

this store ain’t where that’s at.

You want that Asian foodstuff

better go back to Man-hat [tan]

I got my pencil and paper, baby

but a list ain’t all we lack.

Takes more than hopin’ and wishin’

to end this here virus attack.

O.K., enough of this now. The blues ain’t nothin’ but COVID-19 on your mind.

Tonight’s dinner: stuffed green peppers, roasted brussel sprouts, and salad

Entertainment: Two episodes of Austrialian journalism-politico thriller, Secret City, plus one episode of Twilight Zone.

A Journal of the Plague Year 2020–chapter 65

A roadside sculpture in Springs, N.Y.

Wednesday, May 13

You see it at every time of year on the East End, particularly in our East Hampton neighborhood of Springs: ART.

Situated in driveways or front yards, there are a lot of metal sculptures, often painted a first responder orange or some other eye-catching hue. There are beach-ball size metal spheres, metal-beam uprights, even an abstract cut-out that in some Marcel Duchampesque world is said to resemble a deer. There are frequent shows of local artists’ work at the former schoolhouse that’s now an exhibition and lecture space known as Ashawagh Hall.

This past weekend, 52 artists from Hampton Bays to Montauk staged an exhibition on their porches and lawns, “Drive-by-Art (Public Art in This Moment of Social Distancing).” One artist’s contribution consisted of steel-wool octopuses positioned in her hedgerow. Another offered canvas-wrapped posts set six feet apart along her lawn. Art-world shock jock and Whitney museum fave Eric Fischl provided life-size sculptures of dancing nymphs at his Sag Harbor home. All of the works were meant to be admired by art lovers who were socially distanced from each other inside their vehicles.

Ever since the late 19th century, artists have been coming out to the East End, drawn by the light, the isolation, and the presence of wealthy buyers. Portraitist and landscape painter William Merritt Chase followed his rich friends out in the 1890s, setting up a studio and a school near Southampton. Belmonts, Carnegies, Astors, and Vanderbilts helped defray his costs.

The successful impressionist painter Childe Hassam purchased an East Hampton house in 1919, joined the Maidstone Club, and tooled about in a chauffeur-driven limo.

More famous today are the abstract expressionists who began arriving some twenty-five years later. These folks experienced the same lures as previous artists—plus that of the then-cheap real estate. Jackson Pollock and Lee Krasner lived in Springs from 1945 until Pollock died drunk in a car crash along Fireplace Road in 1956. Pollock created his anarchic, improvisational drip paintings both on a concrete slab in the yard behind the couple’s farmhouse and also in a nearby barn. Today, the house is the Pollock-Krasner House and Study Center, administered by Stony Brook University. You can visit the place, wander through the small cottage, and even enter the barn, where the floor is considered such a work of art that visitors must don protective rubber shoes.

Krasner produced widely varying work—including abstract art, collage, and postmodern pieces—into the 1970s. She died in 1984 at age 75.

Willem de Kooning also lived in Springs, not far from Pollock/Krasner starting in 1961. He, too, is remembered as an abstract expressionist, but on the East End, he developed a new style, erotic and lyrical. He built a large, industrial-style studio across from the Green River Cemetery. And his work was the subject of a series of major shows in New York and Europe.

 By the late 1980s, De Kooning was still painting but suffering from advanced Alzheimer’s disease. He died in 1997, at 92 years of age.

Other creative people also lived nearby in Springs, including New Yorker writer A.J. Liebling and his wife, novelist and Pulitzer Prize-winning short story writer Jean Stafford. The very funny Liebling is one of my favorite writers, and his New Yorker “press clips” columns offer an indelible look at 20th century American journalism.

Enough with the local history. 

I’ve fallen into this subject as, like everyone else, I have so little to do these days. You wake up, read the paper, have a small lunch, take a walk, and then it’s time to make dinner and watch videos. The weeks scamper by—we’ve been out here for almost ten weeks now and it’s hard to ever imagine a return to NYC.

Dinner: leftover lentil soup, and salad.

Entertainment: More episodes of Bordertown.

A Journal of the Plague Year 2020–chapter 64

Sag Harbor whaler and ferryman Pyrrhus Concer.

Tuesday, May 12

Reading the obits for Little Richard makes me reflect on Trump, believe it or not. Like Mr. MAGA, Little Richard was full of braggadocio: He apparently once told talk-show host Arsenio Hall “I’m not conceited, I’m convinced!” It was far from the only sort of over-the-top behavior for Richard Wayne Penniman, but it’s a blustering style that has appeared again and again among show-biz figures, from wrestler Gorgeous George to Muhammad Ali and on to our orange-topped leader. 

Yes, Trump is forever proclaiming that he’s the greatest, the smartest, the whatever-est. But very quickly, you sense the insecurity behind the bragging—he doesn’t buy it himself. That’s why Trump has to surround himself with yes-men and cannot abide the presence of any real expertise: Someone like Fauci immediately demonstrates what true knowledge and insight are about, exposing Trump to the bright light that kills not only coronaviruses but also phonies.

Back to history: As for East Hampton’s African Americans, until recent times there were only a few, beginning in the late 17th century. A 1687 census lists 25 “slaves” and says that just under 5% of the town’s population was African American. One landowner’s will lists two slaves—valued at £58 and mentioned just after the listing of his 100 sheep, which were valued at £25. Historian T.H. Breen speculates that the blacks were domestic servants, possibly brought here from New York City.

Other records suggest that there was an African-American community on the north side of East Hampton. But I haven’t been able to find out much about that.

There were black whalers living in Sag Harbor, including Pyrrhus Concer, who was born in 1814, worked on whale boats, and later ran a ferry on Lake Agawam. Nearby Shelter Island was largely occupied by the 8,000-acre Sylvester Manor, which up until 1820 was one of the largest slaveholding sites on Long Island.  There’s also a slave burying ground there that includes over 200 unmarked graves.

And in the 20th century, there have been several predominantly black neighborhoods in Sag Harbor. Such neighborhoods as Azurest, Ninevah Beach, and Sag Harbor Hills were largely populated by well-to-do African Americans, including Harry Belafonte, Lena Horne, Duke Ellington, and more recently, restaurateur B. Smith.

Other Southampton sites notable in African-American history include the St. David’s AME Zion church and the fledgling Southampton African-American history museum. The museum is the former Randy’s Barbershop located on North Sea Road, which for many years served as an African American gathering place.

Tonight’s dinner: lentil soup with frankfurters and a green salad.

Entertainment: episodes of the Finnish policier Bordertown and one of The Twilight Zone.

A Journal of the Plague Year 2020–chapter 63

Stephen Taukus “Talkhouse” Pharaoh

Monday, May 11

The most visible minority presence in the Hamptons nowadays is Latino. But of course, it wasn’t always that way.

Latin American immigrants have been coming to the Hamptons for decades, drawn here by the promise of construction and other work. Decades back, Colombians, Costa Ricans, and Mexicans were the first Latinos to arrive, followed by Ecuadorians, Guatemalans, Hondurans, Salvadorans, Venezuelans, and others.

 I’m quite aware of the Ecuadorian presence, as a result of conversations with construction workers and waiters, and thanks to the presence on East Hampton’s North Main Street of a bodega called Mitad del Mundo—named after a place in Ecuador that’s near to the equator.

Some 15% to 20% of East Hampton’s current population is Latin, along with over 25% of the school population. Between 1980 and 2000, according to the U.S. Census, the Latino population grew tenfold, to 2900. Such figures, of course, are likely a huge underestimate.

In earlier decades, the larger minority groups were Native American and African American.

As I described in an earlier post, it was the Montaukett Indians who sold the East Hampton land to whites in the 17th century. For many years thereafter, that Native American group kept to itself, concentrated in the Montauk area. The white settlers in East Hampton stuck to farming and occasionally harvesting a “drift whale,” a leviathan who’d somehow beached itself. By law, householders were required to turn out and help with the smelly, disgusting labor of hacking up a dead whale, whose blubber could be turned into valuable lamp oil.

This whale fat gradually became an important source of income for the farmers. And by 1670, they realized that they didn’t just have to depend upon fate to send a whale their way—they could go out to sea and kill the right whales that ventured near to the East Hampton coastline.

The East Hamptonites began forming private whale companies, outfitted with sturdy boats, harpoons, oars, a drogue (or sea anchor that got affixed to a wounded whale), and huge kettles for cooking down blubber. Each boat required a crew of six strong men.

Re-enter the Montaukett Indians. In a move that would be the envy of many gig-economy workers today, the Indians began negotiating labor contracts with the East Hampton whites. These contracts generally committed individual Montauketts (who made their marks on the dotted line) to a season of whale hunting, in exchange for which the Natives would get half of the harvested whale meat.

Why did the Montauketts do it? There’s evidence that they were gradually drawn into a kind of debt peonage, promising to labor until they’d paid off what they owed. Like the whites, the Indians had come to appreciate the finer things in the way of European-made goods that could be obtained for hard cash.

This sort of whaling seems to have come to an end after about sixty years, circa 1730. There had been massive overfishing of the shallow-water whale population, and after the mid-1700s, all that remained was deep-water whaling, as was conducted out of Sag Harbor and Nantucket. Along with the waning of East Hampton whaling came that of the Montauk tribe. By the 1770s, there were only thirty Indian families remaining, the others having wasted away due to poverty and white-men’s disease. (Most of the above information is drawn from T. H. Breen’s Imagining the Past: East Hampton Histories.)

One exception: Stephen Taukus “Talkhouse” Pharaoh, a late 19th century survivor. Talkhouse, a prodigious walker, claimed a variety of exploits, including prospecting for gold in the California gold rush, serving in the Union army, winning a walking race from Boston to Chicago, and participating in P. T. Barnum’s circus. His name lives on thanks to local monuments and to the Amagansett rock ’n’ roll club named for him.

Tonight’s dinner: grilled pork chops, baked potatoes, and brussel sprouts.

Entertainment: back to Occupied, the Norwegian futuristic thriller that contemplates a Russian power grab of Norway’s North Sea oil. 

A Journal of the Plague Year 2020–chapter 62

Hotel-ready: An ultraviolet virus-killing wand.

Saturday, May 9

Unemployment is at scary levels, it seems. But, hey, that’s not so bad for everyone.

If actual U.S. unemployment is around 20%, as some at the Labor Department admit, employers will have no problem filling low-wage jobs. Those recently enacted laws mandating a $15 minimum wage? Fuggetaboutit. They’ll be undercut by the underground-economy reality.

And consider the other evils of prosperity. When demand is high for goods and services, suppliers can more easily raise prices—and that can mean inflation across the economy. When raw materials are eagerly dug and mined, when the seas are plundered of fish, and when forests and jungles are stripped of their trees and wildlife, the planet comes under ever greater pressure. In fat times, stores are crowded, highways are crammed with traffic, and the skies are darkened with pollution. Recession can be a cure for all such woes.

But will some of today’s unemployment be permanent? Already a lot of people had lost permanent jobs and had only marginal slots within the so-called “gig economy,” where you make do with one small project after another. I know many such people—and I myself have taken on several such projects in the past 10 years. Gig posts can be eliminated at the drop of the hat.

On top of all this, technological job displacement is on the rise. One example: A number of sources, including the Institute for Social Research and Data Innovation at the University of Minnesota, point toward job loss resulting from only one labor-saving innovation, driverless vehicles. In a majority of U.S. states, the most common job is truck driving.

Take those jobs away, and the argument for a guaranteed annual income becomes absolutely compelling. Come back, Andrew Yang!

No matter what anyone says, East End guesthouses are anticipating the summer season. The East Hampton Star has interviewed management at Baker House 1650 and other swank hostelries and found them ready to reopen. “The new must-have amenities will include face masks made from luxurious fabric, chic dispensers for hand sanitizer, body temperature scanners, aesthetically pleasing dividers to ensure people maintain six feet of social distance, and other items that allow people to feel safe and pampered,” says The Star

Common spaces will be cleaned on an hourly basis, and rooms will get zapped with an ultraviolet light-sanitizing wand. Maybe we could stick that down your throat while we’re at it, eh Mr. President? Shine a light inside the body?

Earlier I ventured out to nearby Maidstone Market, hoping to make up a bit for the shortfall in Peapod’s delivery. Until very recently, you’d go to a window at Maidstone Market and just tell a staffer what you wanted. But suddenly, they’re allowing patrons to come inside the store so long as you’re wearing a face mask. Boy, they had lots of stuff—and boy do you pay for it. I got some cornbread mix, a dozen eggs, and two rolls of antacid—for a measly $11.85. Them that’s got shall get, and them that’s not shall lose.

Tonight’s dinner: Ziti with roasted red pepper, goat cheese, and toasted walnuts, plus a green salad with avocado. 

Tonight’s entertainment: the final episodes of The Valhalla Murders

A Journal of the Plague Year 2020–chapter 61

The barn (c., 1721) at East Hampton’s Mulford Farm.

Friday, May 8

Did yesterday’s post focus too heavily on the designer-label shops of East Hampton, and thereby neglect the town’s very lengthy and complex past?

The area that now composes the town dates back to 1648, when it was purchased by two Connecticut governors. In exchange for the land, they gave the Montauk Indians an assortment of goods such as coats, hatchets, and knives. The New England men, in turn, resold the area for £30 to a group they called “the Inhabitants of East Hampton.” The new settlers came here by way of New England, looking for less-settled territory where they could raise crops and pasture their farm animals. Each original inhabitant got a house lot of several acres in the center of East Hampton, plus rights to use of the common fields.

Over the decades to come, some settlers would turn to whaling and fishing. Others engaged in commerce, trading the local produce and fish for goods made elsewhere.

By the second half of the 19th century, there were new intruders: members of the leisure class, traveling out to the East End via the Long Island Railroad. The exclusive Maidstone Club was founded in 1894, and its challenging golf course was redesigned in the 1920s to occupy 130 acres facing the Atlantic coast. By 1929, when Jacqueline Bouvier was born, there was a well established enclave of the wealthy in the Hamptons. And after World War II, as vacations and leisure activity became more possible for the middle and working classes, even more visitors came out to the area, bringing with them the development that has in recent decades become rampant.

Several groups have acted as an obstacle to this development: traditionalists, environmentalists, the local fishermen who are generally called Baymen, and the organization called the Ladies Village Improvement Society, formed in 1895 to ensure that the community’s “storied charms will not be disturbed by the pressures of contemporary growth and development.” The more commercial enterprises that have sought to win a foothold here in recent decades, ranging from fast-food outlets to the bookstore chain Barnes & Noble, have found their paths blocked. But legions of McMansions continue to advance across the former marshes and potato fields.

Much of this information comes from a 1990 book by Northwestern University historian T.H. Breen, Imagining the Past: East Hampton Histories. I will include more detail on the town’s history in future posts .

Today’s weather has been cloudy and, by the end of the day, rainy.

Tonight’s dinner: Avgolemono soup and a lettuce, avocado, and tomato salad.

Tonight’s entertainment: more episodes of The Valhalla Murders.